Sunday, November 23, 2014

Witch-slapped

Man, I Feel Like a Woman

What is the archetypal male? Has it changed since Macbeth? Why is Mulan such a good movie?


Manhood is big, often exaggerated, and exists only to sow its seed. By "manhood," I mean the essence of man. Manhood is the stuff that makes you stick out your chest and say, "Hey, I'm bigger than you and I'll fight you if you challenge me." A man's manhood is as important to him as his lifted truck and his daunting array of fireable weapons, and this has been true since the beginning of time.

In the times of Macbeth, three witches present Macbeth a fortune that ensures that he will gain absolute power. The promise of power pulls at Macbeth's manhood and drives him to make rash decisions, such as kill the King Duncan. Another person that is always stimulating Macbeth's manhood is his wife, the Lady of Macbeth. At one point in the play, as she is trying to persuade him to man up and kill Duncan, she tells him, "Art thou afeard/To be the same in thine own act and valor/As thou art in desire?" In this quote, the Lady of Macbeth is questioning Macbeth's ability to kill and make the sexy time. This pulls at the main qualities of manhood and manliness, toughness and virility. 

In today's culture, not many things have changed. As the song from Mulan suggests (If you haven't watched it, do so now), it is important to be "... as swift as the coursing river. With all of the force of a great typhoon. With all of the force of a raging fire." Furthermore, the increased popularity of comparing a male that does not exhibit strength, virility, or manliness to a female reproductive organ stresses the importance of one's manhood in today's society. In the sense that men must be strong, the values of manhood have not explicitly changed from the times of Macbeth. For instance, once Macbeth starts to breakdown when he "sees" the ghost of Jacob Marley Banqou, his wife once again challenges the extent of his manhood. "Are you a man?" the Lady questions a hysterical Macbeth, as if it were womanly to not have the ability to control one's emotions. 

One might argue that Lady Macbeth and Mulan could be considered men. Both women exhibit as much or more strength than their male counterparts at certain times. Lady Macbeth is the one that plans the murder of Duncan and is so engorged by the thought of gaining power, she wishes that she could be a man in order to do the deed herself. Mulan, on the other hand, transforms into a man in order to fight for her family. However, both females do not succeed at being a man; the Lady of Macbeth cannot control her emotion/gets murdered and Mulan starts making out with other dudes.

The values of manhood will never change. It is the strongest that survive, which means strength and survival will always be cool. In Macbeth, this is represented by the Lady of Macbeth challenging Macbeth's strength and desire for power. In modern times, this is represented by how tight your tank top is or what your bench is, bro. As Reese Bobby once said, "It's the fastest who gets paid, and it's the fastest who gets laid," and there ain't nothing sweeter in life than that.

Sunday, November 9, 2014

#IBmakinart

Pee-yew, I Think I Arted

As I walked through the CAM, I saw many things that interested me. There was an incredulously lengthy video of a man painting. There was a similar video of a woman washing paint away. There was a blurry black and white photograph of a city taken from above. There was a collection of photographs that contained presumed maids in the background. But, the piece of art that resonated with me the most was some bells hung from a ceiling.
Name: Temple of One Thousand Bells
Artist: Laura Belém
Date: 2010
Medium: Hand-blown glass bells and audio accompaniment
Size: About a normal room size
Context: This piece was originally exhibited in the National Glass Centre in Sunderland, England for the 10th Liverpool Biennial, an art festival in the U.K. It has been hung in many places since.
Subject: Many things are represented with this piece of art. One thing is that the bells are glass and have no clapper. In the auditory piece, a story is told of bells that have been swallowed by the sea, however some continue to hear the bells. This coincides with the actual bells, as they can no longer make noise, and yet the viewer continues to hear the clinking of bells due to the auditory piece. The bells represent the fragility of an object or an idea. Once that object is taken away — once the clapper is removed, once the dream is deferred — it should cease to resonate. However, to some, even a lost bell continues to ring, either solemnly or inspirationally.
Style: The fragility of the glass bells, the lack of the clappers, and the accompaniment of the auditory piece form a cohesive story that represents the art affectively to the viewer. Without the auditory accompaniment, it would be a message of fragility, uselessness, and transparency. However, the clinking of bells and accompanying story transform the piece into one of resonation. Suspending glass bells just out of the reach of the viewer and then making them come to life with the recorded sounds of bells truely gave the piece a submersion quality to the viewer.
Purpose: I found this piece to be as relaxing as it was refreshing. I prefer an art piece that makes statements about one's self rather than Geopolitical Relations. Telling a visual, auditory, and mental story to the viewer and allowing them to use it to reflect on their own life — the fragility, the purpose,  the transparency, loss — provides a personal aspect to the art which I enjoy.



Name: Temple of Eighteen Bells
Artist: Cole Buckalew
Date: 2014
Medium: Mechanical pencil and computer paper
Size: 11"x8.5"